New Novel Madness - Picking a new project

As a writer, there is nothing more awesome than finishing a novel. Recently, I completed the first draft of the last book of The Corpus Chronicles and am currently editing. If you haven't written a series before, take that amazing end-of-book feeling and multiply it by 1000. Seeing the last book printed out on my desk in physical form rather than on my computer screen was the most surreal thing I had ever experienced. My entire indie-author journey up to that point had been The Corpus Chronicles. The series had been my blood, sweat, and tears for the last two years. No matter what I was doing for all that time, the series was always, without fail, at the back of my mind. And then, suddenly, it was over.

Of course, I still have plenty of editing to get through, along with beta reading and cover art, but for the most part, the heavy-lifting is complete. I'm no longer expending the majority of my energy each day into pushing the characters to grow and evolve, in structuring the outlines of subplots and backstories, and putting down one new word in front of the other. In short, I'm no longer building anything new. Instead, all my time is going to marketing The Corpus Chronicles, reviewing new and awesome books from other indie authors, and my very (cough) studious student life.

However, as someone with a deep love for writing, without that building component, something feels horribly off. I've heard from others that this is something many people experience after finishing a major project, but for me it is a first. Before The Corpus Chronicles, the only books I wrote were for fun rather than publication. The stakes were much lower back then, and consequently, so was the mental blowback after finishing a project.

After finishing The Corpus Chronicles, everything in my life was thrown off, from my normal mental state of mulling over plot ideas to my daily schedule. My natural solution was to dive right into a new project. However, it proved to be much more difficult than I had imagined. Usually, my mind is constantly swimming with new plot ideas, and while I was writing The Corpus Chronicles, they came up so frequently that I came to resent the project I had chosen for its length and the consequent time commitment, and I was eager to finish. I wrote down all the brainstorms in a notebook when the ideas came and continued my work on The Corpus Chronicles.

After I finished the last book, I went back to that notebook and leafed through it. I picked one idea, wrote maybe a vague outline or a few pages, and then hopscotched to another, and then another... you get the picture. Nothing was grabbing me, and now that I had the time to write a new book, the new ideas stopped coming. Trying to force them was as agonizing as not doing anything at all. I read through article after article online on writing inspiration. I tried to think back to how I got the idea for The Corpus Chronicles. It was just like everything else I'd written thus far: It had just popped into my head one day and evolved into something feasible with time and patience.

So where was the disconnect? I had plenty of ideas in my notebook, but for some reason, I couldn't get them to grow. I also wasn't getting any new ideas for the first time in my memory, and I believe the two phenomenon were closely related. Maybe it's just a symptom of the postpartum depression us writers get after we finish projects, or maybe the mental block is stemming from somewhere completely different in my life. I don't think I'll end up figuring out what it is exactly. Maybe the only way is to keep working through the last book's editing and wait for that elusive little spark of inspiration to ignite. It certainly can't be forced.

Until next time.
-Your friendly neighborhood coffee zombie

Editors, proofreading, and why I'm extremely frustrated right now

Ok, so I had gone through my gazillion and one drafts and finally got EOA to the point where I was ready for professional editorial services. Then I found an editor who had great testimonials and reasonable prices. She helped me beef up my content significantly and then did the final proofread. After that, I skimmed through it one more time but didn't do another in-depth edit. This was a mistake. Today my mom was finally reading the book and she sends me about fifteen texts with little mistakes she found, like mixing up 'there', 'their', and 'they're'. Trust me, I know which 'there' I'm supposed to use, but writing late into the nights fueled up on caffeine does a number to the little brain cells, and mistakes always happen. I paid my editor and trusted her to find/correct them. She didn't get it all.
Now I'm upset with my editor, but this is also partly my fault. I guess the reason I didn't do another in-depth edit was, first, because I had just gone through professional editorial services, second, because of excitement :3, and lastly, the thing I always hear people say: there's always something you see that you're going to want to change and at some point you just have to tell yourself that it is finished.
So where does reasonable editing end and overanalyzing begin? I think the best way to know is to go with your gut. If your gut says to do another read-through, do it. My gut said to, but I thought I was being paranoid, and now I'm sweeping up the mess, contacting reviewers and begging them to look at the new draft and not the old, and dealing with the embarrassment of my print book looking sloppy and unprofessional.
My new version of EOA is going to be online in about 48 hours. I hope not too many people noticed the mistakes, or that they just seem like a bigger deal to me than to everyone else. But it is what it is now. Lesson learned. Don't make my mistake.
-Esha